It isn’t hard, the first time Mark Wahlberg and Russell Crowe square off in “Broken City,” to see that the two stars are enjoying themselves mightily. Wahlberg is a New York cop asked to resign in the wake of a controversial shooting, and Crowe is the mayor asking for his badge. They meet in the mayor’s City Hall office ― it’s a tense, tough exchange, with Jeffrey Wright, another formidable actor, off to one side. But there’s clearly an amiable vibe mixed in with the brinkmanship, too.
“Russell didn’t come on until week six of production,” Wahlberg recalls. “And the first day that he walked onto the set, we were going to shoot that big confrontation, and Allen Hughes, our director, was saying, ‘You guys want to rehearse?’
“And we both said no. ‘Let’s just start throwin’ down.’”
And that’s what they did.
A tale of political corruption, police violence, power, and greed, “Broken City” ― opening Friday ― owes a debt to classics such as “The Big Sleep,” “The Maltese Falcon” and “Chinatown.” Wahlberg’s Billy Taggert leaves the NYPD and sets up shop as a private eye, chasing adulterous spouses, and chasing clients who haven’t paid him.
|The Mayor (Russell Crowe, right) subtly threatens his wife, the city’s first lady (Catherine Zeta-Jones), whom he suspects might be undermining his|
plans in “Broken City.” (20th Century Fox/MCT)
When the mayor calls Taggert back a few years down the line and offers the freelance detective a big check to follow his wife (Catherine Zeta-Jones), Taggert thinks he’s got everything figured out.
Like Humphrey Bogart’s and Jack Nicholson’s sorry gumshoes, though, it turns out he doesn’t have a clue.
“For sure, those are movies I grew up watching with my dad,” Wahlberg says, acknowledging that’s one of the reasons he went for “Broken City” ― a film he also produced.
“And that’s why we were able to attract the talent, because there were so many well-written parts. People really got to sink their teeth into meaty roles.”
Wahlberg, along with director Hughes, rolled into town last week for a preview screening of “Broken City,” and to talk the movie up to local media. Camped out at the Rittenhouse Hotel, Wahlberg rattled off the five films he’s shot here over the years: “The Italian Job,” “Invincible” (the story of bartender-turned-Philadelphia Eagle Vince Papale), “Shooter,” “The Happening” and “The Lovely Bones.”
“All Philly films,” he says. “Although ‘Italian Job’ I didn’t shoot here, but the film shot here, so that still counts on my resume.”
Nothing if not industrious, Wahlberg has four films set for release in 2013, and more in the works that he’ll star in and/ or produce for his company, Leverage. He’s also executive producer of TV’s “Entourage” (they may make a movie) and “Boardwalk Empire.”
First up, “Broken City.” Then in April, it’s “Pain & Gain,” with Wahlberg and Dwayne Johnson as bodybuilders caught in an extortion scheme. Michael Bay directs.
In August, Wahlberg teams with Denzel Washington for “2 Guns,” about a DEA agent and a Navy intelligence officer investigating a crime syndicate ― and each other. Wahlberg’s “Contraband” director, Baltasar Kormakur, is back barking orders.
And then, slated for December, there’s “Lone Survivor,” based on the true story of Navy SEAL Marcus Luttrell, part of an ill-fated 2005 mission high in the mountains of Afghanistan’s Kunar province. Four SEALs were caught in an ambush ― “it’s the worst tragedy in the history of the SEALs,” says Wahlberg. Eric Bana, Emile Hirsch and Taylor Kitsch also star, and Peter Berg directs.
“It was a physically demanding movie,” says the actor, who shot “Lone Survivor” in the mountains of New Mexico, which doubled for the peaks of Sawtalo Sar and Gatigal Sar. “And we felt a lot of responsibility in making sure that we did Marcus and those guys some justice ...
“And Marcus was there, and a lot of the team guys, the SEALs guys that trained us, were there. So it wasn’t like we could phone it in.”
Not that Wahlberg is implying he’s phoning anything in.
And beyond this year? Look for Wahlberg in Bay’s “Transformers” reboot, in the comedy “Avon Man” and, yes, in the sequel to the over-the-top stoner romp “Ted.” Wahlberg proudly declares that the movie he made with Seth MacFarlane and that foul-mouthed plush toy is the biggest original (as in non-sequel) R-rated comedy of all time.
“It was one of those things where, when I first heard the idea, I was hesitant to even consider reading it,” Wahlberg says of “Ted,” whose central conceit is that a Beantown guy’s best friend is his childhood teddy bear, magically come to life and talking up a storm. “It sounded like such a ridiculous idea. My agent was very persistent, but he also represents Seth. So, I understood why. And then I read it, and when I read it, I had the same feeling that I had about ‘Boogie Nights’ ― that this could either be one of the greats, or this could be completely ridiculous. And I met Seth and I was like, ‘OK, I’m going to do it.’
“Everybody that I talked to, that I spoke about it with, thought, ‘Oh, you’re an idiot.’”
By Steven Rea
(The Philadelphia Inquirer)
(MCT Information Services)